Darick RobertsonMajor

Marc SilvestriLegend

Comic Artist, Inker, Penciller

Silvestri draws in sharp angles, whipping hair and tense wiry anatomy, a look that defined a stretch of Uncanny X-Men and Wolverine. He co-founded Image Comics and built Top Cow, home to Witchblade, Cyberforce and The Darkness.

Next: L.A. Comic Con, Oct 30 to Nov 1, 2026

Humberto RamosMajor

Comic Artist, Cover Artist, Penciller

Ramos stretches anatomy the way animation does: long limbs, enormous expressions, motion pushed past what a body could actually do. It suits Spider-Man exactly, which is where he has spent much of the last two decades.

Greg CapulloMajor

Comic Artist, Cover Artist, Penciller

Capullo builds bodies like a sculptor and faces that carry real dread. A long run on Spawn led into his Batman work with Scott Snyder, from Court of Owls through Dark Nights: Metal, which set how Gotham looked for a decade.

Andy KubertMajor

Comic Artist, Letterer, Penciller

Andy Kubert stages superhero stories like film, with wide establishing shots, clean sightlines and a steady build to the hit. He drew X-Men through the nineties, then Wolverine: Origin, Marvel 1602, Batman and Son and Flashpoint.

Next: L.A. Comic Con, Oct 30 to Nov 1, 2026

Frank MillerLegend

Comic Artist, Penciller, Writer

Miller writes and draws in hard shadow and clipped rhythm. His Daredevil brought crime-fiction structure into superhero comics, The Dark Knight Returns and Batman: Year One recast Batman for a generation, and Sin City stripped the whole approach down to black-and-white noir.

David FinchMajor

Comic Artist, Cover Artist, Penciller

Finch renders in dense hatching and deep shadow, giving his heroes bulk and menace. He drew New Avengers and Moon Knight at Marvel before moving to DC for Batman: The Dark Knight and Wonder Woman.