Andy KubertMajor

Jim LeeLegend

Comic Artist, Penciller, Publisher

Few artists have shaped what a superhero looks like on the page as directly as Jim Lee. His early-nineties X-Men work, all dense crosshatching and coiled anatomy, became a house style that later artists still work against. He left to co-found Image Comics and WildStorm, then became one of DC's defining figures on Batman: Hush and Justice League.

Darick RobertsonMajor

Comic Artist, Cover Artist, Penciller

Robertson draws cities that feel filthy and lived-in, and faces that look like people you would actually meet. Transmetropolitan and The Boys both depend on that grounding to make their satire land.

David FinchMajor

Comic Artist, Cover Artist, Penciller

Finch renders in dense hatching and deep shadow, giving his heroes bulk and menace. He drew New Avengers and Moon Knight at Marvel before moving to DC for Batman: The Dark Knight and Wonder Woman.

Adam KubertMajor

Comic Artist, Penciller

Adam Kubert draws with thick, expressive line weight and a real feel for impact. His Wolverine and Hulk pages are bruising, and he has moved between Marvel and DC's biggest books for thirty years.

Greg CapulloMajor

Comic Artist, Cover Artist, Penciller

Capullo builds bodies like a sculptor and faces that carry real dread. A long run on Spawn led into his Batman work with Scott Snyder, from Court of Owls through Dark Nights: Metal, which set how Gotham looked for a decade.

Marc SilvestriLegend

Comic Artist, Inker, Penciller

Silvestri draws in sharp angles, whipping hair and tense wiry anatomy, a look that defined a stretch of Uncanny X-Men and Wolverine. He co-founded Image Comics and built Top Cow, home to Witchblade, Cyberforce and The Darkness.

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