Adam Kubert draws with thick, expressive line weight and a real feel for impact. His Wolverine and Hulk pages are bruising, and he has moved between Marvel and DC's biggest books for thirty years.
Andy Kubert stages superhero stories like film, with wide establishing shots, clean sightlines and a steady build to the hit. He drew X-Men through the nineties, then Wolverine: Origin, Marvel 1602, Batman and Son and Flashpoint.
Adams packs more detail into a panel than seems reasonable, every scale and rivet accounted for, with a monster-movie enthusiasm running underneath. Longshot and his X-Men work made him a favourite, and his covers are recognisable across a room.
