Johnson draws as though the page itself is under stress, with hand-lettered sound effects, torn panel borders and bodies thrown around at real cost. Murder Falcon and Do a Powerbomb! turn that energy into something surprisingly moving.
Robertson draws cities that feel filthy and lived-in, and faces that look like people you would actually meet. Transmetropolitan and The Boys both depend on that grounding to make their satire land.
Finch renders in dense hatching and deep shadow, giving his heroes bulk and menace. He drew New Avengers and Moon Knight at Marvel before moving to DC for Batman: The Dark Knight and Wonder Woman.
