Frank's characters act with their faces, small shifts of expression that carry a scene on their own. It grounds even the largest stories, from Superman: Secret Origin and Batman: Earth One to Doomsday Clock.
Capullo builds bodies like a sculptor and faces that carry real dread. A long run on Spawn led into his Batman work with Scott Snyder, from Court of Owls through Dark Nights: Metal, which set how Gotham looked for a decade.
