Coipel gets an enormous amount out of faces and posture, then opens up for spectacle when a story needs it. House of M, Thor and Siege all lean on that mix of close acting and large-scale action.
Larraz combines polished figure work with action choreography that stays readable no matter how many characters are on the page. House of X made him one of Marvel's go-to artists for line-wide events.
Ottley draws fights that hurt, with bodies breaking and expressions holding nothing back. He drew most of Invincible's run before moving to Amazing Spider-Man and Hulk.
Murphy's line is fast and angular, and he loves drawing machinery: bikes, rigs, wreckage. Batman: White Knight let him write as well as draw, rebuilding Gotham on his own terms.
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